Musical why do fools fall in love

At her impromptu bachelorette party, Millie and her best friends dive into age-old questions about love, marriage, and the overwhelming dating game.

As the celebration picks up steam and the drinks flow, the girls reveal scintillating secrets about their love lives, as they poke fun and challenge each other to take control of their lives. Why Do Fools Fall in Love? As the drinking gets underway, loose lips begin sharing about each of their respective love lives, as well as Millie's upcoming nuptials.

Millie swears she'll find him and bring him back— her dreams of the perfect wedding won't be dashed because of something silly like a missing groom.

Six months pass, and the girls gather once again, this time to celebrate the engagement of Dee Dee to her longtime boyfriend. After the liquid refreshments begin flowing, we discover that Dee Dee's boyfriend is probably as bubble-headed as she, Flo is desperately in love with a coworker who doesn't even know she exists, and Sally keeps loving and losing them faster than anyone can keep count.

The true drama rears its head when Sally confronts Millie about her less-than-perfect marriage. Millie breaks down and finally asks for help and forgiveness from her friends. Through it all, Sally, Millie, Florence, and Dee Dee come to understand that no matter how bad love becomes, true friendship is always there to fall back on. Millie — Mezzo-Alto. The bride-to-be. Her overriding desire for perfection is what stands in the way of her achieving a well-balanced and healthy relationship.

Sally — Mezzo-Soprano. Sally has a hip, cavalier attitude toward relationships. She is sassy, savvy, and liberated: a world-weary realist whose rose-colored glasses were smashed long ago. In Lymon was literally picked up out of the gutter and made to undergo a drug cure in Manhattan General Hospital.

New managers, Bob Redcross and Sammy Bray, tried to reconstruct a career and, with guidance from Dizzy Gillespie, Lymon took dancing lessons, learned to sing in six languages and became a jazz drummer. His efforts, including solitary singles on Twentieth Century Fox and Columbia, went unnoticed. In February he was in the news again. A syringe lay nearby and the West rd Street precinct confirmed that death had been caused by a heroin overdose.

This album, which includes many tracks generally unavailable for twenty years, is a belated memorial to both sides of a remarkably precocious talent. For schools interested in subscribing to Rock's Backpages, please click here. Vincent St. Louderman, Taylor. You Raise Me Up. Groban, Josh. Have Yourself a Merry Little Christmas. Garland, Judy. You've Got a Friend in Me. Newman, Randy. Stand by Me. King, Ben E. Moonlight Sonata Abridged. Beethoven, Ludwig Van. Easy Piano. Malotte, Albert Hay.

Mitchell, Joni. White Christmas. Crosby, Bing. At its most mediocre, this post-mortem farce, built around a battle for Lymon's estate among three women, each claiming to be his wife and the heir to his royalties, is compounded of courtroom scenes that will leave lawyers gnashing their teeth, shaky acting, ludicrous lines, unconvincing locations and backgrounds and cliched efforts to evoke nostalgia and achieve psychological depth through grainy montages.

Musically speaking, Frankie Lymon was pretty much of a one-trick pony who was a year-old soprano from Upper Manhattan at the end of , when his recording of "Why Do Fools Fall in Love" with four neighborhood boys called the Teenagers catapulted them to doo-wop fame. By the summer of , after four hits, a cross-country tour, recordings for an Alan Freed film and an appearance at the London Palladium, Lymon had parted company with the rest of the quintet.