Why is freddie mercury called the great pretender

Legend has it that he wrote the song in the washroom of the Flamingo Hotel in Las Vegas, where the group was performing. These different phases from different songs are one reason why Freddie was the greatest pretender. Watch the music video below. He was a restless spirit, a true chameleon who reveled in his own contradictions.

In an interview in , Freddie Mercury explained that he felt as if this song relates to him a lot when asked for reasons for covering this track. Freddie Mercury is still known to be one of the greatest showmen on the live stage. His vocal skills were unparalleled and his showmanship is untouchable. The theatrics were on another level. Despite all of these glitz and glamour, Freddie Mercury was a very private person.

He did have raging parties in his houses which were equally glamorous as his live concerts. But it was only a cover for what he really was-lonely. Freddie is dead but that trademark 'tache lives on — with its own Facebook fan page 2, "likes" devoted to discussion of the great man's lip furniture. So who among today's rock royalty can match up? Step forward Brighton-based Aussie doom merchant Nick Cave, whose luxuriant handlebar mo' "more badass than a volcano fighting an earthquake," according to one admirer also has its own Facebook page — and, with 5, "likes", can plausibly claim to be the new No 1.

Live Aid, 13 July , a packed Wembley: Freddie's crowning glory. Not even the Teletubbies could elicit the ecstatic echo Queen's frontman managed as he sang "Eh-oh! His weren't, though. Because if he wasn't pointing his microphone at interesting angles, he was stock-still, legs spread, right fist clenched, arm raised high, embracing the adulation. The only Brit rock star who's since come close in ritual call-and-response tactic? Robbie Williams.

And more often than not, it felt as if he just wanted the crowd to sing the words for him. He glistened in the night sky, his bright yellow bolero lighting up the stadium. Did it look ridiculous? Of course it did. But it didn't half mark him out from Brian May in his monochrome Breton top.

Twenty-three years later and Chris Martin's in a military bolero in Rolling Stone magazine, fiddling with the sleeve and looking like the bastard child of Adam Ant and a ferret caught in the headlights, with the headline, "Confessions of an anxious rock god".

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Bad Guy. Musically, it differed little from recent Queen recordings, yet it failed to even approach the Top Albums chart in the States, despite strong sales in their native UK and some European territories. Freddie Mercury — The Great Pretender moves at a swift pace, clocking in at under 90 minutes, and features lots of interview footage of its subject.

Mercury took his work quite seriously, but he was also a clown and a tease, whether giggling over German profanities during his stay in Munich or schmoozing at a debauched discotheque soiree. Of course, Mercury passed in from AIDS-related complications, and his death — sudden to most fans — dredges up prickly questions about identity, privacy, sexual promiscuity, and homophobia.

His openness regarding sexual orientation was more slippery.